s EMINAR / workshop
crossovers of art and contemporary thought
The notion of crossing means an area of \u200b\u200bmating and exchange "between heterogeneous discourses and practices.
Ni exposure of a theory of art or philosophical search for aesthetic experiences: the seminar / workshop is a tour around different points at which contemporary thought (ie thinking that it intends to take account ... ring the historical singularity of our present) is with art and make this meeting an opportunity for the intensification of theoretical invention processes could emerge "exceedances ontological" "Regimes of the sensible", "artistic truth", "experimental communities", "human strikes" and other concepts, premises and assumptions used to influence the ways in which we construct and analyze our lifestyles.
We will investigate the many ways then, the different reasons and different effects typical of those instances in which art sobering contemporary theoretical practices. In these crosses there is a fertility invite you to explore.
>> Work Programme
01. Alain Badiou and art as a process of truth
02. antonio negri and ontological leave
03. Jacques Rancière and sensible scheme
04. la société anonyme, claire fontaine, strikes
human and experimental communities 01. Alain Badiou and art as a process of truth
02. antonio negri and ontological leave
03. Jacques Rancière and sensible scheme
04. la société anonyme, claire fontaine, strikes
>> mode
work on the basis of a previous reading, will be an exhibition that aims to bring the structure of conceptual networks texts and issues that emerge from them. After this exhibition, work in a participatory, collectively producing scenarios from the participants to ask questions. It will promote an approach to reading material that derives from the same conceptual tools that connect with current practices of the students, contributing to imagine ways of working so far unthinkable.
work on the basis of a previous reading, will be an exhibition that aims to bring the structure of conceptual networks texts and issues that emerge from them. After this exhibition, work in a participatory, collectively producing scenarios from the participants to ask questions. It will promote an approach to reading material that derives from the same conceptual tools that connect with current practices of the students, contributing to imagine ways of working so far unthinkable.
>> Duration
4 meetings
4 meetings
>> Day & Time Friday
19.30hs to 21hs
19.30hs to 21hs
>> Starting Friday August 13
>>
Full Course Fee $ 180 (is payable at the first meeting)
or two installments of $ 100 (paid in the first and third encounter)
The course fee includes the bibliographic material.
Full Course Fee $ 180 (is payable at the first meeting)
or two installments of $ 100 (paid in the first and third encounter)
The course fee includes the bibliographic material.
>> Information and registration 0341 155087134
francoingrassia@gmail.com
http://seminarioentrecruzamientos.posterous.com/
francoingrassia@gmail.com
http://seminarioentrecruzamientos.posterous.com/
>> About
seminar coordinator Franco Ingrassia (Rosario, 1976). A Master in Participatory Research in the Universidad Complutense de Madrid (UCM). He has given seminars as a visiting lecturer at the Autonomous University of Barcelona (UAB) and the Universidad Internacional de Andalucía (UNIA). Maintains a clinical practice in public and in his office. Integra Laboratory Institutional Review Rosario. He has published several articles in magazines such as turbot and Country Group (Argentina), Mute (UK), Archipelago and The Old Mole (Spain) and DeriveApprodi (Italy). Coordinates the project Aesthetics of dispersal.
seminar coordinator Franco Ingrassia (Rosario, 1976). A Master in Participatory Research in the Universidad Complutense de Madrid (UCM). He has given seminars as a visiting lecturer at the Autonomous University of Barcelona (UAB) and the Universidad Internacional de Andalucía (UNIA). Maintains a clinical practice in public and in his office. Integra Laboratory Institutional Review Rosario. He has published several articles in magazines such as turbot and Country Group (Argentina), Mute (UK), Archipelago and The Old Mole (Spain) and DeriveApprodi (Italy). Coordinates the project Aesthetics of dispersal.
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