Friday, June 25, 2010
Saturday, June 19, 2010
Fun Invitation Letter
audio 
means, in my book, simply producing an operation that aspires to directly reconfigure a space or a related institution or a group of people, things order to promote partnerships that be possible without its existence (as in the Venus Project), generating a quasi-institution that exists at the time, relatively independent of their initial advent context (the community), to facilitate the collection of information about possible forms of protest (the stories in open source). I might have said more easily be "useful." And be "useful" in an immediate, palpable, in relation to a community limited in time and space, and a purpose that is different from making some kind of object with aesthetic properties. The deployment of useful work is at the same time, exposed and set objects with aesthetic properties.
What I try to define in my book is a kind of arrangement or composition of objects and subjects, places and times around the production of stories and images intended to move in groups, different arrangement that was more common in the context of the modern culture of the arts. artists who are dedicated, in recent years to the invention of this format (I take the words of Pierre Huyghe) are inspired in some ways, in the tradition of avant-garde, but in other ways away from it, in a way that would be too complex to explain here (and I try to explain in the book.) The form in question can be mobilized in a project called into question, for example, social or economic forms dominant in the present, or not. So I tried to make a description of its features that dispense with the political agenda in relation to what would be mobilized.
A brief remark concerning the political assessment of the art forms of today. If I'm not mistaken, someone who today is interested in the possibilities of progressive politics has to do a particularly important issue is the forms of organization: how communities create and articulate when modern forms of solidarity (solidarity of class, or neighborhood, or even age class) weaken?
Reinaldo Laddaga
interviewed by Santiago García Navarro
Thursday, June 17, 2010
How Is Goiter Contracted
The danger of a single story
A goal that I have always this is to achieve the ability to see beyond my own nose, which is another way Einstein said that pointed to as "the power to unlearn." But the novelist Chimamanda Adichie explains it much better in this video, essential as journalistic lesson:
A goal that I have always this is to achieve the ability to see beyond my own nose, which is another way Einstein said that pointed to as "the power to unlearn." But the novelist Chimamanda Adichie explains it much better in this video, essential as journalistic lesson:
Wednesday, June 16, 2010
Mimosa Bridal Shower Invitations
http://www.danielmelero.net/2010/03/09/acerca-del-dialogo-parte-2/
http://www.danielmelero.net/2010/06/08/acerca-del-dialogo-parte-3/
Tuesday, June 15, 2010
Does Brent Everett Have A Yahoo Messenger
about the dialogue [daniel melero]
01. La does not represent the image presented, it vanishes. In the image that overturned, it reorganizes the redetermination as per your requirements.
02. It seems that the image dominates the thing. But it is a domination that is not imposed, it does not set or misleading, that does not oppress or works from any of the operations of power that had been used to denounce them as their own domination. The image is so realistic that goes through the same thing. And even the times when it is clear that this is not a thing but its image, the thing immediately accept that this image is his model, his guidance and aspiration. 03. In the contemporary imagery, the image is the image of experience happens outside, today's experience occurs in
01. La does not represent the image presented, it vanishes. In the image that overturned, it reorganizes the redetermination as per your requirements.
02. It seems that the image dominates the thing. But it is a domination that is not imposed, it does not set or misleading, that does not oppress or works from any of the operations of power that had been used to denounce them as their own domination. The image is so realistic that goes through the same thing. And even the times when it is clear that this is not a thing but its image, the thing immediately accept that this image is his model, his guidance and aspiration. 03. In the contemporary imagery, the image is the image of experience happens outside, today's experience occurs in
image.
image is what is experienced, and no resemblance to what was experienced. 
04. Experience-image is the image of the experience. This was a sense worked (an ad hoc development if the experience was blind subjection or reproduced if the experience was a mere anecdote, but this matter was always a vital system, significantly, the world). In contrast, experience-image is an unprocessed consumption, something like a swallow without digestion, something like a trauma as no effect of sense, as no orders, ask for more. Experience-image is the story the infinite need more picture. It sounds like a mess of stimuli with subjective disordering effect which in turn has the effect of seeking to arm itself with more subjective image, and so on without end. Experience-image is a subject (or something) that looks complete with a promise (the image) that are excited to complete and is made descompletándolo, it is ready for the next promise. That is what we always say: the latest model cell that you buy nowadays has a replacement model before reaching your hands. The sense of the classic image of the whole experience just imaginary, true, but it was much more firmly to the subject the recurrent experience of an aspiration "realistic" never achieved. 
[the first three points are excerpts from "Only the images. What things? (Reviews the book "only things" Agustín Valle) "available in
http://www.pablohupert.com.ar
]
[image source http://cabezadeliebre.blogspot.com/ ]
Saturday, June 12, 2010
Cheap Track And Field Backpacks
4 ideas on the image [ Paul Hupert]
Hupert Pablo Daniel Melero and live Skype Laddaga Reinaldo 
Aesthetics of dispersal
2010
After convening the debate, during 2009, Lucrecia Martel, Rafael Cippolini, Ana Longoni, Sergio Raimondi, Damian and Paul Schanton Tabarovsky, Aesthetics of dispersal now takes up the discussion, which can be followed by quotes and comments in http : / / esteticasdeladispersion.blogspot.com - on a question that is formulated as: How to guide aesthetic practices (the production of regimes of sensitivity) in a dispersion, where every image, every experience, every utterance is produced deforms ephemeral, to be replaced by another in the relentless and dizzying chain dynamics consumption? Thursday 17 to 19hs. in the tunnel 4. Free.
Park Cultural Center of Spain. Sarmiento and Parana Rivers . Rosario, Argentina.
About the participants: Laddaga Reinaldo (Rosario, 1963). He has a PhD in Philosophy from the New York University and a professor at the University of Pennsylvania. He taught at several universities and is author, among other works, Literatures indigent and low pleasures. Felisberto Hernández, Virgilio Piñera, Juan Rodolfo Wilcock (2000), Reality Shows (2007). In emergency Aesthetics (2006), analyzes the current reorientation of the arts from the production and deployment of experimental communities.
Paul Hupert
(Buenos Aires, 1972). Historian, writer, teacher. Won first prize and publication in the AMIA 2004 Essay Contest on "What it means to be Jewish today." Coordinates study groups, written and published articles in print media and internet (Country Group, Apache Nation, Journalism 1837, Jewish Community Centers, among others). The focus of their work is the subjectivity and culture fluid. Http://pablohupert.com.ar/
Daniel Melero (Buenos Aires neighborhood of Flores, 1958). He is a musician, producer and theorist. His name appears on over 100 albums. Electronic music pioneer Argentina. En1982 trained managers. In 1988 he started his solo career with the album Conga. His work skirted techno, pop, rock, folk, Boise. Between 2001 and 2007 developed a workshop called "audio-visual unlearning", working with new perspectives of thought, action and interaction. His latest album is called For (2009).
http://danielmelero.net source
Hupert Pablo Daniel Melero and live Skype Laddaga Reinaldo
Aesthetics of dispersal
2010
cycle Aesthetics of dispersal
coordinated by Franco Ingrassia, who since last year reflects on the sensitive products in a world where the market is dispute to state hegemony in the production of meaning, is updated this month with a first panel with the participation of the musician Daniel Melero , historian and writer Paul Hupert and critic, essayist and writer Reinaldo Laddaga
, who will speak from Pittsburgh, Pennsylvania, USA, through Skype. coordinated by Franco Ingrassia, who since last year reflects on the sensitive products in a world where the market is dispute to state hegemony in the production of meaning, is updated this month with a first panel with the participation of the musician Daniel Melero , historian and writer Paul Hupert and critic, essayist and writer Reinaldo Laddaga
After convening the debate, during 2009, Lucrecia Martel, Rafael Cippolini, Ana Longoni, Sergio Raimondi, Damian and Paul Schanton Tabarovsky, Aesthetics of dispersal now takes up the discussion, which can be followed by quotes and comments in http : / / esteticasdeladispersion.blogspot.com - on a question that is formulated as: How to guide aesthetic practices (the production of regimes of sensitivity) in a dispersion, where every image, every experience, every utterance is produced deforms ephemeral, to be replaced by another in the relentless and dizzying chain dynamics consumption? Thursday 17 to 19hs. in the tunnel 4. Free.
Park Cultural Center of Spain. Sarmiento and Parana Rivers . Rosario, Argentina.
About the participants: Laddaga Reinaldo (Rosario, 1963). He has a PhD in Philosophy from the New York University and a professor at the University of Pennsylvania. He taught at several universities and is author, among other works, Literatures indigent and low pleasures. Felisberto Hernández, Virgilio Piñera, Juan Rodolfo Wilcock (2000), Reality Shows (2007). In emergency Aesthetics (2006), analyzes the current reorientation of the arts from the production and deployment of experimental communities.
Paul Hupert
(Buenos Aires, 1972). Historian, writer, teacher. Won first prize and publication in the AMIA 2004 Essay Contest on "What it means to be Jewish today." Coordinates study groups, written and published articles in print media and internet (Country Group, Apache Nation, Journalism 1837, Jewish Community Centers, among others). The focus of their work is the subjectivity and culture fluid. Http://pablohupert.com.ar/
Daniel Melero (Buenos Aires neighborhood of Flores, 1958). He is a musician, producer and theorist. His name appears on over 100 albums. Electronic music pioneer Argentina. En1982 trained managers. In 1988 he started his solo career with the album Conga. His work skirted techno, pop, rock, folk, Boise. Between 2001 and 2007 developed a workshop called "audio-visual unlearning", working with new perspectives of thought, action and interaction. His latest album is called For (2009).
http://danielmelero.net source
Thursday, June 10, 2010
Tuesday, June 1, 2010
Painting Letters On Headstone
aesthetics of dispersion and dispersion 2010
The more varied, and even erratic, the better. The set starts to lose its dominance. The regularities begin to weaken. This weakening of normalcy is part of dynamic capitalism. It is not a simple release. It is the very form of power of capitalism. It is no longer institutionalized disciplinary power that defines everything, is the capitalist power to produce variety, because the market is saturated. If there is variety there is a niche market. Affective strangest trends are good, while profitable. Capitalism starts intensifying or diversifying affection, but only to extract a profit. Literally enhances affection. The logic of capitalist production of surplus value begins to take over the relational field that is also the domain of political ecology, the ethical field of resistance to identity and predictable ways. It's something disturbing and confusing because, in my opinion, there has been some kind of convergence between the dynamic of capitalist power and the dynamics of resistance.
Brian Massumi
Navigating Movements [interview] 
In Hope. Edited by Mary Zournazi 
(New York, Routledge, 2002)
in English
here
The more varied, and even erratic, the better. The set starts to lose its dominance. The regularities begin to weaken. This weakening of normalcy is part of dynamic capitalism. It is not a simple release. It is the very form of power of capitalism. It is no longer institutionalized disciplinary power that defines everything, is the capitalist power to produce variety, because the market is saturated. If there is variety there is a niche market. Affective strangest trends are good, while profitable. Capitalism starts intensifying or diversifying affection, but only to extract a profit. Literally enhances affection. The logic of capitalist production of surplus value begins to take over the relational field that is also the domain of political ecology, the ethical field of resistance to identity and predictable ways. It's something disturbing and confusing because, in my opinion, there has been some kind of convergence between the dynamic of capitalist power and the dynamics of resistance.
Brian Massumi
Navigating Movements [interview]
(New York, Routledge, 2002) in English
here
Is It Normal For A Women To Not Shave
Questions and answers about the global food crisis
Following the previous post, today we held a press breakfast with journalists to present the book Towards a new governance of food security , the Right to Food Campaign. urgent.
The book offers several explanations for why more than 1,000 million people with hunger, but we met the main conclusions in this article . 
Following the previous post, today we held a press breakfast with journalists to present the book Towards a new governance of food security , the Right to Food Campaign. urgent.
The book offers several explanations for why more than 1,000 million people with hunger, but we met the main conclusions in this article .
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